Live and Recorded

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Focusing on the Nordic region, this volume explores the transformative impact of digital technology on music experiences in the 2000s, both live and recorded. By applying the theory of mentalization, it analyzes how new media enhances the connection between sound production and consumption. The book highlights the rapid advancements in music recording and processing, as well as the innovative distribution methods that integrate live performances with recorded music. Yngvar Kjus presents insights relevant to scholars in musicology, media studies, and technology studies.