The Theological Museum

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Paul Stubbs is very much a poet of the new millenium. His work reads like a report from some Beckettian post-world in the process of becoming detached from orthodox values and meanings. Stubbs's 'theological museum' is a place were dislocated fragments of traditional religion and metaphysics are put on display like broken pieces of sculpture in a museum of antiquities. A number of poems in this debut collection have 'religious' titles, but Stubbs's disturbing approach is comprhensively radical. This radicalism is evident in his rejection of conventional ideas about form and poetics - his disregard of 'anything that smacks of poetical correctness', as Alice Oswald puts it in her Foreword.