Nietzsche and Metaphysics

Michel Haar explores Nietzsche's critique of metaphysics, framing it as a dual task of both criticism and reconstruction. He highlights Nietzsche's view of philosophical concepts as oversimplified and urges a return to nature through an aesthetic lens. Rejecting rigid doctrines, Nietzsche’s will to power emerges as a response to natural chaos. Haar contrasts Nietzsche's nuanced rejection of Kant with Deleuze's interpretations and notes an early departure from Schopenhauer. He identifies two types of Apollonian sublimities in Nietzsche’s work, emphasizing the importance of art in navigating tragic joy.