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Jimmy Corrigan

The smartest kid on earth

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The first book from the Chicago author of the “stunning” Building Stories (The New York Times) is a pleasantly-decorated view at a lonely and emotionally impaired "everyman," who is provided, at age 36, the opportunity to meet his father for the first time. “This haunting and unshakable book will change the way you look at your world.” —Time magazine “There’s no writer alive whose work I love more than Chris Ware.” —Zadie Smith, New York Times bestselling author of Swing Time An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.

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Jimmy Corrigan, Chris Ware

Taal
Jaar van publicatie
2003
product-detail.submit-box.info.binding
(Paperback)
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Ondertitel
The smartest kid on earth
Taal
Engels
Auteurs
Chris Ware
Uitgever
Pantheon
Jaar van publicatie
2003
Formaat
Paperback
Aantal pagina's
380
ISBN10
0375714545
ISBN13
9780375714542
Reeks
Eerste editie
2000
Oorspronkelijke titel
Jimmy Corrigan, the Smartest Kid on Earth
Beoordeling
4,1 van 5
Aantekening
The first book from the Chicago author of the “stunning” Building Stories (The New York Times) is a pleasantly-decorated view at a lonely and emotionally impaired "everyman," who is provided, at age 36, the opportunity to meet his father for the first time. “This haunting and unshakable book will change the way you look at your world.” —Time magazine “There’s no writer alive whose work I love more than Chris Ware.” —Zadie Smith, New York Times bestselling author of Swing Time An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.