Liverpool Academy and Other Exhibitions of Contemporary Art in Liverpool, 1774-1867

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The book explores Liverpool's pioneering role in the eighteenth-century art exhibition scene, highlighting its appeal to Pre-Raphaelite and foreign artists struggling for recognition in London. It examines the interplay of municipal support, market dynamics, and artistic rivalries that shaped provincial culture. The revival of art exhibitions in 1871, now controlled by the City Council, shifted focus to national institutions, diminishing local relevance. This volume offers insights into Liverpool's cultural heritage, featuring an index of exhibition catalogues and essays by Edward Morris and Emma Roberts.