Afterword

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The poem unfolds in a fragmented style reminiscent of Whitman, Sandburg, and Ginsberg, blending memories, meditations, and visions. It explores themes of destruction and desolation across nature, animals, and humanity, with these motifs introduced early on. As the poem progresses, it shifts from a negative focus to a language of transition, ultimately examining the concept of limits and the potential to transcend them. This intricate structure invites deep reflection on both personal and collective experiences.