Economy, Emotion, and Ethics in Chinese Cinema

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Focusing on Chinese-language cinema from mainland China, Taiwan, and Hong Kong, this book explores the intersection of film and capitalism, revealing how cinema reflects and shapes social life amid rapid economic development. It examines the relationship between the individual and the state, illustrating how both are redefined within the context of late capitalism. Through this analysis, it highlights the unique characteristics of Chinese modernity and the role of film as a medium for understanding complex societal dynamics.