Adapting Philosophy

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Focusing on the interplay between philosophy and film, this study explores how The Matrix Trilogy adapts Baudrillard's Simulacra and Simulation, fostering a unique philosophical stance. It critiques existing literature and introduces a new methodology that emphasizes the significance of imagery in both philosophical and cinematic texts. Through detailed analyses of the trilogy's visuals and sound, the book highlights the dynamic relationship between philosophical concepts and Hollywood films, appealing to students and scholars in Philosophy, Film Studies, and Adaptation Theory.