Musical Revolutions in German Culture

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The book delves into the critical-deconstructive approach to music within the German cultural landscape over the past two centuries, drawing on the philosophical insights of influential thinkers like Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld. It examines how these perspectives have shaped the production, consumption, and reception of music, highlighting the enduring relevance of their ideas in contemporary discussions about music and culture.