Beyond Realism

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The book explores the evolution of international naturalist cinema from early silent films to contemporary works, highlighting its distinct narrative style that often gets confused with realism. It examines how naturalist films engage with various cultural and critical contexts through interdisciplinary approaches, reflecting Fredric Jameson's concept of relational thinking. Author Robert Singer, a seasoned academic and filmmaker, brings his expertise in film history and aesthetics to provide a comprehensive analysis of this unique genre's significance across film history.