Shakespeare, Bakhtin, and Film

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Exploring the intersection of Shakespeare and cinema, this book applies Bakhtin's theories to reveal how filmmakers reinterpret the Bard's work through diverse cultural lenses. It examines the creative processes behind adaptations, showcasing how directors utilize Bakhtinian concepts like chronotope and heteroglossia to express their unique perspectives. By analyzing the dialogue between Shakespeare's text and contemporary filmmaking, the author highlights the dynamic act of co-authoring that reflects the filmmakers' identities and contexts.