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The Real Life of Sebastian Knight

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In a letter to Edmund Wilson in 1941, Vladimir Nabokov expressed his delight that Wilson enjoyed his first novel in English, written five years earlier in a small Parisian bathroom. Despite its modest origins, this work showcases Nabokov's mastery of language and explores themes of identity. The story revolves around Sebastian Knight, a Russian novelist whose complex relationship with language mirrors Nabokov's own. The narrative is driven by Sebastian's half-brother, who seeks to piece together the life of this enigmatic figure. Although he acknowledges that Sebastian's life lacks the drama of his literary style, he finds even the simplest facts elusive. The narrator delves into Sebastian's creative struggles, articulating the painful gap between thought and expression—a common challenge for writers. The quest for a verbal equivalent of Sebastian's existence proves daunting, yet the narrator achieves a poignant connection with his subject by the book's end, reflecting a fluid understanding of identity. Rich in prose and insight, this novel is essential reading and arguably the finest work ever crafted on a bidet.

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The Real Life of Sebastian Knight, Vladimir Vladimirovič Nabokov

Taal
Jaar van publicatie
1971
Bindwijze
(Paperback),
Staat van het boek
Beschadigd
Prijs
€ 9,15

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4,0
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Taal
Engels
Jaar van publicatie
1971
Formaat
Paperback
Aantal pagina's
173
ISBN10
014002199X
ISBN13
9780140021998
Reeks
Eerste editie
1941
Oorspronkelijke titel
The Real Life of Sebastian Knight
Beoordeling
3,95 van 5
Aantekening
In a letter to Edmund Wilson in 1941, Vladimir Nabokov expressed his delight that Wilson enjoyed his first novel in English, written five years earlier in a small Parisian bathroom. Despite its modest origins, this work showcases Nabokov's mastery of language and explores themes of identity. The story revolves around Sebastian Knight, a Russian novelist whose complex relationship with language mirrors Nabokov's own. The narrative is driven by Sebastian's half-brother, who seeks to piece together the life of this enigmatic figure. Although he acknowledges that Sebastian's life lacks the drama of his literary style, he finds even the simplest facts elusive. The narrator delves into Sebastian's creative struggles, articulating the painful gap between thought and expression—a common challenge for writers. The quest for a verbal equivalent of Sebastian's existence proves daunting, yet the narrator achieves a poignant connection with his subject by the book's end, reflecting a fluid understanding of identity. Rich in prose and insight, this novel is essential reading and arguably the finest work ever crafted on a bidet.