Bookbot

Adolf Loos: Meaning, Context, Reception

Boekbeoordeling

Meer over het boek

In this collection of essays, architectural historian Christopher Long examines some of the many influences that shaped the work of the architect Adolf Loos (1870-1933). Long's essays on subjects such as Loos' time in America and his famous essay "Ornament and Crime" are brief excursions into Loos' rich and complex intellectual world, and an attempt to shed light on an important time in the history of architecture and design. Long is deeply interested in Loos as an architect, but he is even more drawn to his profound and unique intellect, and to the clarity of mind with which Loos managed to probe and understand the realities of modern life. Loos saw that "the problem of modernism was not the problem of style, but the problem of understanding how the world was changing."

Een boek kopen

Adolf Loos: Meaning, Context, Reception, Christopher Long

Taal
Jaar van publicatie
2022
product-detail.submit-box.info.binding
(Paperback)
Zodra we het ontdekt hebben, sturen we een e-mail.

Betaalmethoden

4,0
Zeer goed
3 Beoordelingen

We missen je recensie hier.

Titel
Adolf Loos: Meaning, Context, Reception
Taal
Engels
Uitgever
KANT
Jaar van publicatie
2022
Formaat
Paperback
ISBN10
8074372774
ISBN13
9788074372773
Reeks
Beoordeling
4 van 5
Aantekening
In this collection of essays, architectural historian Christopher Long examines some of the many influences that shaped the work of the architect Adolf Loos (1870-1933). Long's essays on subjects such as Loos' time in America and his famous essay "Ornament and Crime" are brief excursions into Loos' rich and complex intellectual world, and an attempt to shed light on an important time in the history of architecture and design. Long is deeply interested in Loos as an architect, but he is even more drawn to his profound and unique intellect, and to the clarity of mind with which Loos managed to probe and understand the realities of modern life. Loos saw that "the problem of modernism was not the problem of style, but the problem of understanding how the world was changing."