Bookbot

Stephen Bush

Gelderland

Boekbeoordeling

Parameters

  • 95bladzijden
  • 4 uur lezen

Meer over het boek

The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma."

Een boek kopen

Stephen Bush, Stephen Bush

Taal
Jaar van publicatie
2007
Bindwijze
(Hardcover)
Zodra we het ontdekt hebben, sturen we een e-mail.

Betaalmethoden

4,0
Zeer goed
2 Beoordelingen

We missen je recensie hier.

Titel
Stephen Bush
Ondertitel
Gelderland
Taal
Engels
Jaar van publicatie
2007
Formaat
Hardcover
Aantal pagina's
95
ISBN10
0976449250
ISBN13
9780976449256
Reeks
Beoordeling
4 van 5
Aantekening
The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma."