The Beauty of Inflections
Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
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- 13 uur lezen
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With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
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The Beauty of Inflections, Jerome J. McGann
- Taal
- Jaar van publicatie
- 1985
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- (Paperback)
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- Titel
- The Beauty of Inflections
- Ondertitel
- Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
- Taal
- Engels
- Auteurs
- Jerome J. McGann
- Uitgever
- Oxford University Press
- Jaar van publicatie
- 1985
- Formaat
- Paperback
- Aantal pagina's
- 352
- ISBN10
- 0198117507
- ISBN13
- 9780198117506
- Reeks
- Tags
- Non-fictie, Sociale Wetenschappen, Over literatuur, Europa, Verenigd Koninkrijk, Literaire Critiek, Ierland, Boeken, Kritiek, Literaire Theorie
- Beoordeling
- 3,6 van 5
- Aantekening
- With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
