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The rural town of Stockton, New York, is famous for nothing: No one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there. To begin again. To start anew. But it isn't quite working out that way. His ailing mother stubbornly holds on to life, and won't stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one he bought. And when, one night, Kugel discovers history-a living, breathing, thought-to-be-dead specimen of history-hiding upstairs in his attic, bad quickly becomes worse. The critically acclaimed writer Shalom Auslander's debut novel is a hilarious and disquieting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

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L'Espoir, cette tragédie, Shalom Auslander, Bernard Cohen

Taal
Jaar van publicatie
2013
product-detail.submit-box.info.binding
(Paperback),
Staat van het boek
Beschadigd
Prijs
€ 0,78

Betaalmethoden

3,3
Oké
236 Beoordelingen

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Taal
Frans
Uitgever
Belfond
Jaar van publicatie
2013
Formaat
Paperback
Aantal pagina's
326
ISBN10
2714453023
ISBN13
9782714453020
Reeks
Eerste editie
2012
Oorspronkelijke titel
Hope: A Tragedy
Beoordeling
3,25 van 5
Aantekening
The rural town of Stockton, New York, is famous for nothing: No one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there. To begin again. To start anew. But it isn't quite working out that way. His ailing mother stubbornly holds on to life, and won't stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one he bought. And when, one night, Kugel discovers history-a living, breathing, thought-to-be-dead specimen of history-hiding upstairs in his attic, bad quickly becomes worse. The critically acclaimed writer Shalom Auslander's debut novel is a hilarious and disquieting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.