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Igor Zabel (1958–2005) was one of Slovenia’s foremost curators and writers. Published as a part of JRP | Ringier’s Documents critical writings series (published with Les presses du reel), this important collection of Zabel’s writings--his first in English--serves as a methodology model for research into Eastern European art techniques and practices. The selected texts are divided into four “East–West and Between,” which explores perceptions of otherness following the fall of the Berlin Wall in 1989; “Strategies and Spaces of Art,” which examines strategies of representation and theories of display and the role of the curator; “Ad Personam,” which includes individual artists and art from Socialist Realism and conceptualism to postmodernism and contextual art, particularly in Slovenia and South Eastern Europe; and “Extras,” a selection of Zabel’s columns on arts and culture.
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Contemporary Art Theory, Igor Zabel, Igor Španjol
- Taal
- Jaar van publicatie
- 2012
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- (Paperback)
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- Titel
- Contemporary Art Theory
- Taal
- Engels
- Auteurs
- Igor Zabel, Igor Španjol
- Uitgever
- JRP|Ringier
- Jaar van publicatie
- 2012
- Formaat
- Paperback
- Aantal pagina's
- 302
- ISBN10
- 3037642386
- ISBN13
- 9783037642382
- Reeks
- Tags
- Non-fictie, Kunst / Cultuur, Historisch thema, Kunst, 20e Eeuw, Geschiedenis en theorie van de kunst, Kunstgeschiedenis, Schrijven, Moderne Kunst, Denken, Kunsttheorie, Postmoderne literatuur, Slovenië
- Beoordeling
- 3,5 van 5
- Aantekening
- Igor Zabel (1958–2005) was one of Slovenia’s foremost curators and writers. Published as a part of JRP | Ringier’s Documents critical writings series (published with Les presses du reel), this important collection of Zabel’s writings--his first in English--serves as a methodology model for research into Eastern European art techniques and practices. The selected texts are divided into four “East–West and Between,” which explores perceptions of otherness following the fall of the Berlin Wall in 1989; “Strategies and Spaces of Art,” which examines strategies of representation and theories of display and the role of the curator; “Ad Personam,” which includes individual artists and art from Socialist Realism and conceptualism to postmodernism and contextual art, particularly in Slovenia and South Eastern Europe; and “Extras,” a selection of Zabel’s columns on arts and culture.