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Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.
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Edward Said, Abdirahman A. Hussein
- Taal
- Jaar van publicatie
- 2004
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- Titel
- Edward Said
- Ondertitel
- Criticism and Society
- Taal
- Engels
- Auteurs
- Abdirahman A. Hussein
- Uitgever
- Verso
- Jaar van publicatie
- 2004
- Formaat
- Paperback
- Aantal pagina's
- 339
- ISBN10
- 1859843905
- ISBN13
- 9781859843901
- Reeks
- Tags
- Historisch thema, Biographies, Historische romans, Psychologische thema’s, Filosofisch thema, Kunst, Muzikale thematiek, Filosofie, Klassiekers, Spiritualiteit en religie, Politiek, Autobiografie en memoires, Economie, Verenigde Staten, Oorlogen, 20e Eeuw, Biografieën, Opiniejournalistiek & Essays, Samenleving, Engeland, Herinneringen, Feminisme, Yoga, Boeddhisme, Literaire Critiek, Wereldgeschiedenis, Schrijven, Inspiratie, 21e Eeuw, Occultisme, Romantisme, Marxisme, Revolutie, Verlichting (stroming), Ballingschap, Russische Geschiedenis, Literaire Theorie
- Aantekening
- Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.