Rudolf Pellar Boeken

The hero-narrator is a sixteen-year-old native New Yorker named Holden Caulfield. After leaving his prep school in Pennsylvania, he spends three days navigating New York City. Holden is both simple and complex, making it difficult to draw definitive conclusions about him or his experiences. He is deeply drawn to beauty, almost to the point of being trapped by it. The novel features various voices—children's, adults', and underground—but Holden's voice stands out as the most powerful. His expression transcends his own vernacular while remaining true to it, delivering a poignant mix of pain and pleasure. Like many artistic souls, he internalizes much of his pain, choosing to share his joy with others. This emotional complexity is available for readers who can appreciate it. J.D. Salinger's classic tale of teenage angst and rebellion was first published in 1951 and has been recognized as one of the best English-language novels of the 20th century. It has faced challenges for its candid language and themes of sexuality, becoming a must-read for many teenage boys in the 1950s and 60s.

Rozsáhlý výbor dvaačtyřiceti próz sleduje tři základní tematické okruhy Singerova díla: život zaniklého světa židovské diaspory na polském venkově a varšavské periferii počátkem 20. století, intelektuální prostředí ve Varšavě 20. let a osudy polských uprchlíků a vystěhovalců ve Spojených státech v druhé třetině našeho století. 2. vydání

Prosté vyprávění anglického přírodovědce a beletristy o tom, jak založil na anglickém ostrově New Jersey vlastní zoologickou zahradu. Ve vyprávění o vlastní zoologické zahradě, navazujícím na knihu Zoo v kufru, líčí autor své zkušenosti i veselé příhody s nejrůznějšími zvířaty, přičemž uplatňuje osobitý humor a dokumentuje velké profesionální znalosti.

Nová, do značné míry autobiografická hra, děj se odehrává v mysli ústřední postavy, v jejích myšlenkách. Na scénu staví asi čtyřicetiletého právníka, jenž se rozborem nejvýznamnějších skutečností svého života snaží dopátrat se pravdy o své vině na tom, co udělal on i společnostkolem něho. Přeložili Luba a Rudolf Pellarovi za jazykové spolupráce Hildy Lassové.

The publishing house Megali focuses on making historical works accessible by reproducing them in large print, catering specifically to individuals with impaired vision. This initiative emphasizes the importance of inclusivity in literature, allowing a broader audience to engage with historical texts.

Radioservis ve spolupráci s Českým rozhlasem vydal v listopadu minulého roku vzpomínkovou knihu herce, zpěváka, skladatele a překladatele Rudolfa Pellara. Paměti, nazvané podle Kainarovy básně, obsahují lakonické vzpomínky na přibližně sto stran, doplněné fotografiemi z osobního archivu a soupisem Pellarovy herecké, autorské a překladatelské činnosti. Memoáry umožňují autorovi tematizovat proces vzpomínání a zachycují jeho rané dětství, které je protkáno místopisnými a historickými prvky, jako je dvojjazyčnost. Vzpomínky plynou chronologicky a odhalují, jak velká historie ovlivnila Pellarovu cestu k divadlu a překládání. Po maturitě, kdy byly univerzity zavřené, se přihlásil na brněnskou konzervatoř a začal svou kariéru v jihlavském Horáckém divadle. Spolu se svou ženou se věnoval překladům americké literatury, včetně Salingerova románu. Kniha také přináší pohled do překladatelské práce Pellarových, jejich metody a zkušenosti s angličtinou v padesátých letech. Fenomén normalizace je rovněž přítomen, neboť Pellar nesměl vystupovat v televizi a jeho překlady byly publikovány pod cizími jmény. Vzpomínková knížka je protkána humorem a laskavostí.

»Wenn du deinem Paßbild ähnlich zu sehen beginnst, ist es höchste Zeit wegzufahren.« Dieses Motto stellt Kishon seiner Weltreise des Humors in 13 Länder von Holland bis Griechenland, von Deutschland bis in die Türkei voran und charakterisiert damit den Traum jedes Alltagsmenschen nach der lockenden Ferne, in der er sich in sein anderes Ich verwandelt. Höchstes Lesevergnügen für Weltenbummler und Reise-Profis, für alle, die von fremden Ländern träumen oder in Gedanken die Fahrt in das Land ihrer Sehnsucht antreten wollen: die besten Satiren um Reisen und Reisende in einem Band.

Indhold: A perfect day for bananafish ; Uncle Wiggily in Connecticut ; The laughing man ; Down at the Dinghy ; Just before the war with the Eskimos ; For Esmé - with love and squalor ; Pretty mouth and green my eyes ; De Daumier-Smith's blue period ; Teddy.

Ervaringen die de auteur opdeed tijdens een autorit kriskras door de V.S., op zoek naar de erfenis van de Indiaanse cultuur en geschiedenis.

Dobrodružné až detektivní povídky, jejich námětem je oslava mužnosti, statečnosti a spravedlnosti: Plantážník z Malaty, Společník, Hostinec u dvou čarodějnic, Kvůli dolarům.

Epos over een Amerikaanse familie die in de jaren zestig verdwaasd achterblijft wanneer de zestienjarige dochter een terroriste blijkt te zijn.

"First published in the New Yorker in the 1950s, Raise High the Roof Beam, Carpenters and Seymour: an Introduction are two novellas narrated by Buddy Glass, a character often said to be a portrait of Salinger himself. In the first, Buddy has taken leave from the army during World War II to attend the wedding of the eldest Glass brother, Seymour, and an atmosphere of portentous suspense sets the scene for the tragedy that will follow. In the second, Buddy reminisces about Seymour and the novella unfolds into a deep and far-reaching exploration of a complex and sad character which displays all the tenderness and subtlety which distinguish the best of Salinger's writing"--Publisher's website

Ein köstliche Sammlung zahlreicher neuer und einiger klassischer Satiren über all die Fragen, die sich der Menschheit stellen, seit Eva ihren Adam in den Apfel beissen liess.

Volně spojený cyklus dvanácti elegických povídek amerického autora českého původu tvoří jakýsi skupinový portrét tří generací mužů a žen obývajících podmanivé okolí jezera ve státě New York. Výjimečná schopnost zachytit ducha krajiny, jenž jako by spoluutvářel životní osudy jednotlivých postav, přitom není jediným pozoruhodným rysem této neobyčejně vyzrálé prvotiny: autorovo umění ponoru do skutečných i domnělých hlubin vnitřních životů jeho hrdinů je tu ukázkovým příkladem zdánlivě paradoxní schopnosti imaginativní prózy překonat v živosti a autenticitě samu skutečnost.

Begun in the autumn of 1957 and published posthumously in 1964, this work captures the essence of being young, poor, and writing in Paris during the 1920s. Arriving in Paris in 1921 as a correspondent for the Toronto Star, Hemingway found himself amidst a cultural transformation following the Great War. The era was marked by the innovations of Braque and Picasso in cubism, Joyce's completion of Ulysses, and Stein's influential gatherings at 27 Rue de Fleurus, where she recognized Hemingway as part of a lost generation. During these formative years, he collected material for his first novel, The Sun Also Rises, and the masterpieces that followed. The narrative features poignant sketches of his eclectic circle of artists and writers, some destined for fame while others faded into obscurity. It also vividly evokes the Paris that shaped him—a map of streets, cafes, and bookshops where he, often battling cold and hunger, refined his craft. This work serves as both an elegy to the vibrant expatriate community of the twenties and a reflection on the trials and triumphs of the writing life.

Bedrängte und Bedrohte, jüdische Minderheiten, Kriegsgegner und -opfer, um ihrer selbst willen Verfolgte. Alle diese Erzählungen sind Beispiele des Kampfes von Sensibilität und Intellekt gegen Brutalität und Ungeist, nicht zuletzt in der Hoffnung geschrieben, auch andere von den Zielen der Menschlichkeit zu überzeugen. Denn: "In der Kunst spielen Mut und Glauben eine enorm wichtige Rolle; diejenigen, die nicht vor Überzeugung brennen, haben nicht die Macht, andere zu begeistern." Die Sammlung enthält Zweigs bedeutendste und meist gelesene Erzählung, die Schachnovelle .

Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years—the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.

George, a disillusioned academic, and Martha, his caustic wife, have just come home from a faculty party. When a handsome young professor and his mousy wife stop by for a nightcap, an innocent night of fun and games quickly turns dark and dangerous. Long-buried resentment and rage are unleashed as George and Martha turn their rapier-sharp wits against each other, using their guests as pawns in their verbal sparring. By night's end, the secrets of both couples are uncovered and the lies they cling to are exposed. Considered by many to be Albee's masterpiece.

Sebrané humoresky o druhé nejkrásnější činnosti na světě.

‘Everything everybody does is so—I don’t know—not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and—sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.’First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family.Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, ‘Zooey’, plunges us into the world of her ethereal, sophisticated family. When Franny’s emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice.Written in Salinger’s typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that have helped make Salinger’s reputation what it is today.

The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams’ essay “The World I Live In.” It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams’ A Streetcar Named Desireis one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

Sylvia Barrett arrives at New York City’s Calvin Coolidge High fresh from earning literature degrees at Hunter College and eager to shape young minds. Instead she encounters broken windows, a lack of supplies, a stifling bureaucracy, and students with no interest in Chaucer. Her bumpy yet ultimately rewarding journey is narrated through an extraordinary collection of correspondence—sternly worded yet nonsensical administrative memos, furtive notes of wisdom from teacher to teacher, “polio consent slips,” and student homework assignments that unwittingly speak from the heart. An instant bestseller when it was first published in 1964, Up the Down Staircase remains as poignant, devastating, laugh-out-loud funny, and relevant today as ever. It timelessly depicts a beleaguered public school system redeemed by teachers who love to teach and students who long to be recognized.

Bratři Machalovi cestovali po místech, kde žil E. Hemingway, hovořili s těmi, kdo velkého amerického spisovatele poznali. Rekonstruují jeho pohnutý život - neukázněné mládí, osobní vztahy k rodičům, čtyřem manželkám, přátelům a konečně i dramatický závěr spisovatelova bytí.

Wat een afschuw! Wie stopt het hebzuchtige reuzenkrokodil? Het reuzenkrokodil heeft honger, onbedwingbare, enorme honger! Wat zou hem beter uitkomen dan een paar knapperige, sappige, heerlijk smakelijke kinderen? Maar die zijn niet zo gemakkelijk te vangen, daarvoor zijn slimme trucjes nodig! In het begin verloopt alles volgens plan voor het krokodil en zijn gemene vallen, totdat de andere dieren in de jungle de kinderen onvermoeibaar te hulp schieten. Uiteindelijk krijgt het krokodil de straf die het verdient, en moed en behulpzaamheid zegevieren! Onverschrokken helden vol kracht en fantasie maken de kinderen sterk: ongeacht wie je bent of waar je bent, ongeacht wie je klein wil maken, met fantasie, vastberadenheid en moed kun je je eigen gekke verhaal in handen nemen en alles zijn wat je wilt! Een prentenboek om te bekijken en voor te lezen voor slimme, sterke kinderen vanaf 4 jaar en alle Roald Dahl-fans.

For Spenser, that most unorthodox of private detectives, no case is ever straightforward and the theft of a 14th-century illuminated manuscript proves no exception. His investigation soon leads him into organized crime, dope-pushing, theft, radical politics, adultery and murder.

Bernard Malamud's tweede roman vertelt het verhaal van Morris Bober, een kruidenier in het naoorlogse Brooklyn, die "beter" wil voor zichzelf en zijn gezin. Eerst verschijnen er twee overvallers die hem bedreigen; dan neemt de gebroken-neus Frank Alpine als zijn assistent een positieve wending. Maar er zijn complicaties: Frank, wiens reactie op Joden ambivalent is, wordt verliefd op Helen Bober; tegelijkertijd begint hij te stelen uit de winkel. Zoals Malamud's beste verhalen roept deze roman onmiskenbaar een immigrantenwereld op van benarde omstandigheden en grote verwachtingen. Malamud definieerde de immigrantenervaring op een manier die van vitaal belang is gebleken voor verschillende generaties schrijvers.

When Adam Dalgliesh visits Larksoken, a remote headland community on the Norfolk coast in the shadow of a nuclear power station, he expects to be engaged only in the sad business of tying up his aunt's estate.

Williams' play about drifter Chance Wayne who returns to his hometown with a faded movie star hoping to find the girl of his youth is a classic study of the dream of recapturing youth and finding fame. This edition features an extensive critical commentary and questions aimed at students of the play.

Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of "sudden passions", in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface.

'Subtle, funny and furious' Observer. What if a lookalike stranger stole your name, hijacked your biography, and went about the world pretending to be you? Startlingly, Philip Roth meets a man in Jerusalem called Philip Roth who has been touring Israel - riding high on the author's reputation - preaching a bizarre reverse-exodus of the Jews, encouraging them to return to their ancestral homes in Europe. Roth decides to stop him, even if that means impersonating the impersonator. Operation Shylock is at once spy story, political thriller, meditation on identity and unfathomable journey through a volatile, frightening middle-east.

Ernest Hemingway's classic portrait of the pageantry of bullfighting. 'I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death' This is Hemingway's classic portrait of the pageantry of bullfighting. Here are the sights, the sounds, the excitement, and above all, the knowledge, that fuelled Hemingway's passion for Spain and the bullfight. This remarkable book contains some of his finest writing, inspired by the intense life, as well as the inevitable death, of those hot, violent afternoons. 'Hemingway's style, at its best, is a superb vehicle for revealing tenderness of feeling beneath descriptions of brutality' Guardian

In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.

'There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave.'-- ERNEST HEMINGWAYIn the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. 'I had quite a trip,' the author told his friend Philip Percival, with characteristic understatement.Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.

Hlavní hrdinka, dívka, která si rozhodně žádné životní problémy nepřipouští, líčí otevřeně ve svém fingovaném deníčku poněkud neromantickou cestu za „svým místem na slunci“. Nešetří při tom ani své okolí a s humorem a nadhledem vypráví nejen o vyšších společenských, ale též o uměleckých – literárních a filmových kruzích i o jiném atraktivním prostředí. Zajímavý je také hrdinčin pohled na mužské protějšky – to si už však jistě rádi přečtete v této milé knížce.

Winner of the IMPAC Award and Booker Prize nominee In this rich and compelling novel, written in language of astonishing poise and resonance, one of Australia's greatest living writers gives an immensely powerful vision of human differences and eternal divisions. In the mid-1840s a thirteen-year-old British cabin boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by aborigines. Sixteen years later he moves back into the world of Europeans, among hopeful yet terrified settlers who are staking out their small patch of home in an alien place. To them, Gemmy stands as a different kind of challenge: he is a force that at once fascinates and repels. His own identity in this new world is as unsettling to him as the knowledge he brings to others of the savage, the aboriginal. "Breathtaking...To read this remarkable book is to remember Babylon well, whether you think you've been there or not." --The New York Times Book Review

Both a satire on the idle rich and a brutally realistic depiction of the desperate plight of the unemployed. Contrasts the underdogs of Key West with decadent socialites down for the winter season.

2. část trilogie, která navazuje na 1. část Vesnice a bude pokračovat 3. částí Panské sídlo. Doslov: Eva Masnerová Druhý díl Faulknerovy volné trilogie začíná ve chvíli, kdy Flem Snopes, reprezentant nastupujících dravých ekonomických sil na americkém Jihu počátku 20. století, přijíždí do Jeffersonu...

Čtyři povídky umístěné do exotických zemí Indonésie: Karain, Úsměv štěstěny, Tajný souputník, Freya ze Sedmi ostrovů.

2. část trilogie, která navazuje na 1. část Vesnice a bude pokračovat 3. částí Panské sídlo. Doslov: Eva Masnerová Druhý díl Faulknerovy volné trilogie začíná ve chvíli, kdy Flem Snopes, reprezentant nastupujících dravých ekonomických sil na americkém Jihu počátku 20. století, přijíždí do Jeffersonu...