Colm Tóibín Boeken

Ierland, eind jaren zestig. Nora Webster, niet de makkelijkste vrouw, is pas weduwe geworden. Ze probeert haar leven in het kleinsteedse Enniscorthy opnieuw gestalte te geven. Niet alleen heeft ze in haar eentje de zorg voor haar vier kinderen, ze moet ook weer gaan werken. Tegen de achtergrond van het conservatieve, katholieke Ierland met zijn strenge sociale controle weet ze zich door middel van vriendschappen en muziek toch te ontworstelen aan de benauwenis van haar leven.

Novelist and critic Colm Tóibín provides “a fascinating exploration of writers and their families” ( Entertainment Weekly ) and “an excellent guide through the dark terrain of unconscious desires” ( The Evening Standard ) in this brilliant collection of essays that explore the relationships of writers to their families and their work.Colm Tóibín—celebrated both for his award-winning fiction and his provocative book reviews and essays—traces the intriguing, often twisted family ties of writers in the books they leave behind.Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, Jane Austen and her aunts, and Tennessee Williams and his sister, Tóibín examines a world of relations, richly comic or savage in their implications. Acutely perceptive and imbued with rare tenderness and wit, New Ways to Kill Your Mother is a fascinating look at writers’ most influential bonds and a secret key to understanding and enjoying their work.

From one of the most important American novelists of the twentieth century—a novel of sexual, racial, political, artistic passions, set in Greenwich Village, Harlem, and France.Stunning for its emotional intensity and haunting sensuality, this book depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime.

Six writers - Bernard Loughlin, Colm Toibin, Michael Finlan, Rosita Boland, George O'Brien and Sean Dunne - have combined to produce a book which offers both a guide to the sites and sights of Ireland and a collection of photographs of its monuments and moods. Each of the contributors takes readers on a tour of one region, illuminating the landscape, the towns, the coastline, the rivers and the lochs. They introduce the history and the mystery, the heroes of hurling and the poets, and the life of the Ireland of today as it reflects the past.

Toibin's remarkable insights provide scholars, students, and general readers a fresh encounter with James's well-known texts.

An award-winning writer examines the life and work of some of the greatest authors of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives. Toibin looks both at writers forced to disguise their true experience on the page, and at readers who find solace and sexual identity by reading between the lines.

A collection of short stories that explores the complex relationships between mothers and their sons.

A Guest at the Feast uncovers the places where politics and poetics meet, where life and fiction overlap, where one can be inside writing and also outside of it. From the melancholy and amusement within the work of the writer John McGahern to an extraordinary essay on his own cancer diagnosis, Tóibín delineates the bleakness and strangeness of life and also its richness and its complexity. As he reveals the shades of light and dark in a Venice without tourists and the streets of Buenos Aires riddled with disappearances, we find ourselves considering law and religion in Ireland as well as the intricacies of Marilynne Robinson's fiction. The imprint of the written word on the private self, as Tóibín himself remarks, is extraordinarily powerful. In this collection, that power is gloriously alive, illuminating history and literature, politics and power, family and the self.

A Brazilian Lord of the Flies, about a group of boys who live by their wits and daring in the slums of Bahia They call themselves “Captains of the Sands,” a gang of orphans and runaways who live by their wits and daring in the torrid slums and sleazy back alleys of Bahia. Led by fifteen-year-old “Bullet,” the band—including a crafty liar named “Legless,” the intellectual “Professor,” and the sexually precocious “Cat”—pulls off heists and escapades against the right and privileged of Brazil. But when a public outcry demands the capture of the “little criminals,” the fate of these children becomes a poignant, intensely moving drama of love and freedom in a shackled land. Captains of the Sands captures the rich culture, vivid emotions, and wild landscape of Bahia with penetrating authenticity and brilliantly displays the genius of Brazil’s most acclaimed author.

In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the Irish border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ordinary life and the legacy of history in a bleak and desolate landscape. Tóibín describes the rituals – the marches, the funerals, the demonstrations – observed by both communities along the border, and listens to the stories which haunt both sides. With sympathy and insight Bad Blood captures the intimacy of life along one of the most dangerous strips of land in Western Europe.