Janet Frame Boeken

De Nieuw-Zeelandse schrijfster Grace Cleave voelt zich nergens echt thuis en verkeert in een isolement. Wanneer ze een weekend doorbrengt bij een recensent en zijn gezin wordt ze des te meer geconfronteerd met haar onvermogen tot communicatie en haar gevoel nergens helemaal bij te horen. Haar gedachten gaan terug naar haar jeugd in Nieuw-Zeeland: scherp en geestig observerend concludeert ze dat alleen het schrijverschap haar de toevlucht kan bieden die ze nodig heeft.

Autobiografisch relaas van het leven in een traditionele psychiatrische inrichting in de jaren '40 en '50.

In Naar het Is-Land, het eerste deel van de trilogie, zien we Janet Frame opgroeien in de jaren dertig. Ondanks de bittere armoede en de schokkende gebeurtenissen in de familie ontwikkelt ze haar grote literaire talent en ziet ze kans een universitaire studie te beginnen.

In Puamahara, een stadje in Nieuw-Zeeland, bevindt zich de oorsprong van de Legende van de Herinneringsbloem. Het is hiernaar dat een rijke Amerikaanse op zoek gaat. Zij besluit zich daartoe in het stadje P. te vestigen. Successievelijk bezoekt zij alle buren en probeert hun heden en verleden te doorgronden. Zij heeft vreemde gewaarwordingen, hoort beangstigende geluiden terwijl zij orde tracht te scheppen in haar warrige geestestoestand. Ook het bestaan van de Zwaartekracht-ster die tijd en afstand vernietigt probeert zij in te passen in haar levensbeeld. Terug in de VS blijkt zij een terminale ziekte te hebben en na haar dood volgt haar man in haar voetsporen om haar waarnemingen te herleven.

Librarian note: Alternative cover edition of ISBN 0586085866 This is the second volume in Janet Frame's autobiography, in which she tells of how she left the close-knit family home in Oamaru for teacher training college in Dunedin. Her college years were a time of intense loneliness that culminated in an attempted suicide and commital to a mental institution. Labelled as a schizophrenic, Janet spent eight harrowing years in psychiatric hospitals until the publication of her prize-winning collection of stories won her a discharge.

New Zealand's preeminent writer Janet Frame brings the skill of an extraordinary novelist and poet to these vivid and haunting recollections, gathered here for the first time in a single volume. From a childhood and adolescence spent in a poor but intellectually intense railway family, through life as a student, and years of incarceration in mental hospitals, eventually followed by her entry into the saving world of writers and the "Mirror City" that sustains them, we are given not only a record of the events of a life, but also "the transformation of ordinary facts and ideas into a shining palace of mirrors." Frame's journey of self-discovery, from New Zealand to London, to Paris and Barcelona, and then home again, is a heartfelt and courageous account of a writer's beginnings as well as one woman's personal struggle to survive.

This is the cautionary tale of Toby Withers and Zoe Bryce, companions at the edge of the alphabet--that strange, incommunicable region of the mind walled by silence, noisy with dreams. Toby and Zoe meet on the ship to England. Irishman Pat Keenan, a London bus driver, passionately ordinary, forms the apex of the triangle.

When a man who is believed dead revives in the mortuary and returns home, he is forced to re-examine his relationships with his family and others.

Our world is changing at a dizzying our physical environment, our communities and our cultures, how we communicate and the speed with which we adapt to new ways of experiencing and living in the world. Caught in the midst of decline and regeneration, what are we losing and what are we gaining? And how do we decide what's worth saving and what should be thrown away? In this issue, we travel to places on the cusp of staggering change, talk to people who have seen and done it all and rescue a few choice items from the recycling bin. From Ireland's Catholic priests - once exported around the world and now under threat even in their own country - to the hitherto obscure music saved from extinction via the vast exchange mart of the Internet, "Granta 105" captures moments of both disappearance and rebirth in all their complexity and strangeness.

Owls Do Cry is Janet Frames first novel. She describes her ideas behind it in the second volume of her autobiography: "Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for the main character, and inventing minor characters. For Daphne I chose a sensitive, poetic frail person, who, I hoped, would give depth to inner worlds and perhaps a clearer, at least an individual, perception of outer worlds. The other characters, similarly fictional, were used to portray aspects of my 'message' - the excessively material outlooks of 'Chicks', the confusion of Toby, the earthy make-up of Francie, and the toiling parents, the nearest characters to my own parents.

'I'm a short story addict, both reading and writing them, and I always keep hoping for the perfect story.' (Janet Frame to Tim Curnow, January 1984) PRIZES: SELECTED SHORT STORIES is the most comprehensive selection of Janet Frame's stories ever published, taken from the four different collections released during her lifetime and featuring many of her best stories. Written over four decades, they come from her classic prize-winning collection THE LAGOON AND OTHER STORIES first published in 1952, right up to the volume YOU ARE NOW ENTERING THE HUMAN HEART published in the 1980s. This new selection also includes five works that have not been collected before. Janet Frame's versatility dazzles. Her themes range from childhood to old age to death and beyond. Within the pages of one book the reader is transported from small town New Zealand to inner city London, and from realism to fantasy. This volume offers the perfect sample of the many styles of Janet Frame's unique and powerful writing. 'Quite simply, she's a stunning writer' - Dominion Post (September 2007) 'Frame is, and will remain, divine.' - Alice Sebold

We follow Mavid through two marriages and watch her bury two husbands. Above all, we are privy to the attendant avoidances, interruptions, and irrelevancies that are part of her attempt to complete a novel. It's a process that is painful, joyful, rueful, and profound. Through it all, Violet-Alice-Mavis chooses to be the entertainer, to make us laugh and cry, to be the ventriloquist who dares to enter the speech of others and expose them.

Kniha představuje českému čtenáři nejznámější novozélandskou spisovatelku. Svazek obsahuje novelu Sněhuláku, sněhuláku (1963) a soubor povídek Laguna, jímž Frameová v roce 1951 literárně debutovala. Sbírku čtyřiadvaceti povídek sepsala jako pacientka psychiatrické léčebny, kam byla v době svého dospívání umístěna s chybnou diagnózou „schizofrenie“. Krátké, námětově zdánlivě jednoduché příběhy inspirované vlastními zkušenostmi jsou rámované kulisami autorčina dětství a jsou vhledem do autorčina částečně ještě adolescentního pohledu na svět, jejího ohledávání vlastního vnitřního světa, popsaného ovšem velmi obrazně, výsostně poeticky, se smyslem pro výstižný detail a metaforu. Spojujícím prvkem všech příběhů je jednak ztráta: ztráta pocitu bezpečí, ztráta domova, ztráta mysli nebo i sebe sama, a jednak znepokojivá, syrová a emocionálně silná otevřenost. Když tato prvotina získala nejprestižnější novozélandské literární ocenění The Hubert Church Prose Award, zachránilo to autorku od lékaři plánované lobotomie a byla po letech propuštěna. Pozdnější novela Sněhuláku, sněhuláku zpracovává v magicko-realistickém duchu téma věčnosti a konečnosti. Sledujeme zde „dobrodružství smrtelnosti“, jak je prožívá sněhulák postavený malou holčičkou před jejím domem.

Fortsetzung von "Ein Engel an meiner Tafel", die sich mit Frauen beschäftigt. 203 Seiten.