The Edge of the Alphabet
- 296bladzijden
- 11 uur lezen
Het werk van deze auteur is diep geworteld in persoonlijke strijd en maatschappelijke vervreemding, waarbij thema's als identiteit, de strijd tegen onrecht en het verlangen naar vrijheid worden verkend. Haar proza wordt gekenmerkt door een rauwe, suggestieve stijl die de diepgaande innerlijke levens van haar personages vastlegt. Geconfronteerd met immense persoonlijke uitdagingen, vond ze troost en expressie in het schrijven, waarmee ze uiteindelijk haar ambitie om schrijfster te worden waarmaakte. Haar meeslepende verhalen bieden een krachtig getuigenis van menselijke veerkracht en de onbedwingbare geest in het aangezicht van tegenspoed.







Eine Autobiographie
Kniha představuje českému čtenáři nejznámější novozélandskou spisovatelku. Svazek obsahuje novelu Sněhuláku, sněhuláku (1963) a soubor povídek Laguna, jímž Frameová v roce 1951 literárně debutovala. Sbírku čtyřiadvaceti povídek sepsala jako pacientka psychiatrické léčebny, kam byla v době svého dospívání umístěna s chybnou diagnózou „schizofrenie“. Krátké, námětově zdánlivě jednoduché příběhy inspirované vlastními zkušenostmi jsou rámované kulisami autorčina dětství a jsou vhledem do autorčina částečně ještě adolescentního pohledu na svět, jejího ohledávání vlastního vnitřního světa, popsaného ovšem velmi obrazně, výsostně poeticky, se smyslem pro výstižný detail a metaforu. Spojujícím prvkem všech příběhů je jednak ztráta: ztráta pocitu bezpečí, ztráta domova, ztráta mysli nebo i sebe sama, a jednak znepokojivá, syrová a emocionálně silná otevřenost. Když tato prvotina získala nejprestižnější novozélandské literární ocenění The Hubert Church Prose Award, zachránilo to autorku od lékaři plánované lobotomie a byla po letech propuštěna. Pozdnější novela Sněhuláku, sněhuláku zpracovává v magicko-realistickém duchu téma věčnosti a konečnosti. Sledujeme zde „dobrodružství smrtelnosti“, jak je prožívá sněhulák postavený malou holčičkou před jejím domem.
De Nieuw-Zeelandse schrijfster Grace Cleave voelt zich nergens echt thuis en verkeert in een isolement. Wanneer ze een weekend doorbrengt bij een recensent en zijn gezin wordt ze des te meer geconfronteerd met haar onvermogen tot communicatie en haar gevoel nergens helemaal bij te horen. Haar gedachten gaan terug naar haar jeugd in Nieuw-Zeeland: scherp en geestig observerend concludeert ze dat alleen het schrijverschap haar de toevlucht kan bieden die ze nodig heeft.
Our world is changing at a dizzying our physical environment, our communities and our cultures, how we communicate and the speed with which we adapt to new ways of experiencing and living in the world. Caught in the midst of decline and regeneration, what are we losing and what are we gaining? And how do we decide what's worth saving and what should be thrown away? In this issue, we travel to places on the cusp of staggering change, talk to people who have seen and done it all and rescue a few choice items from the recycling bin. From Ireland's Catholic priests - once exported around the world and now under threat even in their own country - to the hitherto obscure music saved from extinction via the vast exchange mart of the Internet, "Granta 105" captures moments of both disappearance and rebirth in all their complexity and strangeness.
'I'm a short story addict, both reading and writing them, and I always keep hoping for the perfect story.' (Janet Frame to Tim Curnow, January 1984) PRIZES: SELECTED SHORT STORIES is the most comprehensive selection of Janet Frame's stories ever published, taken from the four different collections released during her lifetime and featuring many of her best stories. Written over four decades, they come from her classic prize-winning collection THE LAGOON AND OTHER STORIES first published in 1952, right up to the volume YOU ARE NOW ENTERING THE HUMAN HEART published in the 1980s. This new selection also includes five works that have not been collected before. Janet Frame's versatility dazzles. Her themes range from childhood to old age to death and beyond. Within the pages of one book the reader is transported from small town New Zealand to inner city London, and from realism to fantasy. This volume offers the perfect sample of the many styles of Janet Frame's unique and powerful writing. 'Quite simply, she's a stunning writer' - Dominion Post (September 2007) 'Frame is, and will remain, divine.' - Alice Sebold
New Zealand's preeminent writer Janet Frame brings the skill of an extraordinary novelist and poet to these vivid and haunting recollections, gathered here for the first time in a single volume. From a childhood and adolescence spent in a poor but intellectually intense railway family, through life as a student, and years of incarceration in mental hospitals, eventually followed by her entry into the saving world of writers and the "Mirror City" that sustains them, we are given not only a record of the events of a life, but also "the transformation of ordinary facts and ideas into a shining palace of mirrors." Frame's journey of self-discovery, from New Zealand to London, to Paris and Barcelona, and then home again, is a heartfelt and courageous account of a writer's beginnings as well as one woman's personal struggle to survive.
Fortsetzung von "Ein Engel an meiner Tafel", die sich mit Frauen beschäftigt. 203 Seiten.
'One of the most impressive accounts of madness to be found in literature ... A masterpiece' Anita BrooknerPublished as part of a beautifully designed series to mark the 40th anniversary of the Virago Modern Classics.
After being misdiagnosed with schizophrenia as a young woman, Janet Frame spent several years in psychiatric institutions. She escaped undergoing a lobotomy when it was discovered that she had just won a national literary prize. She then went on to become New Zealand's most acclaimed writer. As she says more than once in this autobiography: 'My writing saved me.'