James McNeill Whistler Boeken

Selected Etchings of James A. McN. Whistler [Oct 01, 1975] Maria Naylor and James A. Whistler

This title contains Whistler's writings on art, criticism and aesthetics.

The catalog of the new Whistler exhibition--the largest since his death in 1903--reveals the range and variety of his work, showing him as a talented painter, printmaker, and designer and as a central figure in the Victorian art world.

A facsimile of Whistler's published 1885 lecture, the culmination of years of work and self-promotion after Ruskin's bruising criticism, expressing his artistic beliefs with satire and beauty.

Whistler's Gentle Art is a classic in the literature of insult and denigration, effectively serving as "The Autobiography of a Hater." It showcases the deadly sarcasm and sharp wit of one of the nineteenth century's most clever minds. Whistler vehemently opposed misunderstanding from critics and the art-loving public, retaliating with fierce counterattacks. His famous exchanges with Oscar Wilde and Swinburne, incisive "letters to the editor," and biting marginal notes to disparaging comments on his work illustrate the artist's vendettas. A pivotal moment arose when critic John Ruskin condemned one of Whistler's "Nocturnes," calling it an act of "cockney impudence." This incited Whistler to initiate the notorious libel case "Whistler vs. Ruskin," with trial extracts highlighting his brilliant rebuttals to his critics, albeit resulting in only a farthing in damages. Designed by Whistler himself, this account of personal vendettas is not just entertaining; it also serves as an iconoclast's plea for a new perspective on painting. As a historical document, it articulates the clash between new aesthetics and traditional academic views, significantly influencing modern attitudes toward art.

Originally delivered in 1888, this lecture is a fascinating glimpse into the artistic and literary culture of the late 19th century. Swinburne and Whistler deliver a witty and provocative discussion of the nature of art and the artist's role in society. Their remarks are accompanied by beautiful illustrations by Whistler. This is a must-have for any fan of late Victorian art and literature.

Set in the late 19th century, this novel presents a tale of class and romance, featuring the intriguing dynamics between a baronet and a butterfly. The story explores themes of societal expectations and personal desires, weaving a narrative that reflects the complexities of love and status. This high-quality reprint preserves the essence of the original 1899 edition, inviting readers to experience the charm and elegance of the period.

Set in the late 19th century, this reprint captures the essence of a unique romance between a baronet and a butterfly, weaving themes of love and societal expectations. The narrative explores the complexities of relationships through a clever Valentine’s Day lens, culminating in a verdict that reflects the era's values. This edition preserves the charm of the original 1899 publication, offering readers a glimpse into a bygone era of literary elegance and romantic intrigue.