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From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse "It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany--a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics. He is eager to finish a screenplay for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him--and within him.
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You should have left, Daniel Kehlmann
- Taal
- Jaar van publicatie
- 2017
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- You should have left
- Taal
- Engels
- Auteurs
- Daniel Kehlmann
- Uitgever
- Pantheon Books
- Jaar van publicatie
- 2017
- Formaat
- Hardcover
- Aantal pagina's
- 114
- ISBN10
- 110187192X
- ISBN13
- 9781101871928
- Reeks
- Tags
- Fictie, Detectives & Thriller, Fantasy, Science-fiction, Thrillers, Familie, Hedendaagse literatuur, Korte Verhalen, Spanning, Horror, Duitsland, Novelles, Matrimonium, Geesten en verschijningen, Horrorverhalen, Fraude
- Beoordeling
- 3,55 van 5
- Aantekening
- From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse "It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany--a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics. He is eager to finish a screenplay for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him--and within him.
