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Death in Venice tells how Gustave von Aschenbach, a writer utterly absorbed in his work, arrives in Venice as a result of a 'youthfully ardent thirst for distant scenes,' and meets there a young boy by whose beauty he becomes obsessed. His pitiful pursuit of the object of his abnormal affection and its inevitable and pathetic climax is told here with the particular skill the author has for this shorter form of fiction. (blurb) Em A Morte em Veneza, Thomas Mann apresenta uma escrita complexa e profunda, onde quase cada parágrafo pode ter várias leituras. Em contraponto, o enredo é praticamente inexistente: um homem de meia-idade viaja até Veneza, apaixona-se platonicamente por um jovem rapaz polaco extremamente atraente e morre sem sequer ter trocado uma palavra com ele.
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Death in Venice, Thomas Mann
- Taal
- Jaar van publicatie
- 1971
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- Death in Venice
- Taal
- Engels
- Auteurs
- Thomas Mann
- Uitgever
- Bantam Books
- Jaar van publicatie
- 1971
- Formaat
- Hardcover
- Reeks
- Tags
- Fictie, Historisch thema, Kunst, Liefde, Klassiekers, Korte Verhalen, Duitse literatuur, Duitsland, LGBTQ+, 20e Eeuw, Verhalen, Dood, Zuid-Europa, Italië, Cultuur en Samenleving, Verfilmd, Novelles, Inspiratie, Ziekten, Reis, Verplichte Lectuur, Schrijvers, Homosexualiteit, Nobelprijs, Vertelling, narratie, Hotels, Venetië, Grafiek
- Eerste editie
- 1912
- Oorspronkelijke titel
- Der Tod in Venedig
- Beoordeling
- 3,75 van 5
- Aantekening
- Death in Venice tells how Gustave von Aschenbach, a writer utterly absorbed in his work, arrives in Venice as a result of a 'youthfully ardent thirst for distant scenes,' and meets there a young boy by whose beauty he becomes obsessed. His pitiful pursuit of the object of his abnormal affection and its inevitable and pathetic climax is told here with the particular skill the author has for this shorter form of fiction. (blurb) Em A Morte em Veneza, Thomas Mann apresenta uma escrita complexa e profunda, onde quase cada parágrafo pode ter várias leituras. Em contraponto, o enredo é praticamente inexistente: um homem de meia-idade viaja até Veneza, apaixona-se platonicamente por um jovem rapaz polaco extremamente atraente e morre sem sequer ter trocado uma palavra com ele.