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The Facts

A Novelist's Autobiography

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The unconventional autobiography of the Pulitzer Prize–winnning, bestselling author—"the most vigorous and truthful of American writers" ( Newsday )—who reshaped our idea of fiction. A work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art.Philip Roth concentrates on five episodes from his his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy's Complaint.The book concludes surprisingly—in true Rothian fashion—with a sustained assault by the novelist against his proficiencies as an autobiographer.

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The Facts, Philip Roth

Taal
Jaar van publicatie
1997
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Titel
The Facts
Ondertitel
A Novelist's Autobiography
Taal
Engels
Jaar van publicatie
1997
Formaat
Paperback
Aantal pagina's
208
ISBN10
0679749055
ISBN13
9780679749059
Reeks
Beoordeling
3,65 van 5
Aantekening
The unconventional autobiography of the Pulitzer Prize–winnning, bestselling author—"the most vigorous and truthful of American writers" ( Newsday )—who reshaped our idea of fiction. A work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art.Philip Roth concentrates on five episodes from his his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy's Complaint.The book concludes surprisingly—in true Rothian fashion—with a sustained assault by the novelist against his proficiencies as an autobiographer.