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Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.
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Julian Schnabel, Julian Schnabel, Max Hollein, Alison M. Gingeras, Robert Fleck, María de Corral López-Doriga
- Taal
- Jaar van publicatie
- 2004
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- (Hardcover),
- Staat van het boek
- Goed
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- € 7,99
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- Titel
- Julian Schnabel
- Ondertitel
- Malerei/Paintings 1978-2003
- Uitgever
- Hatje Cantz
- Jaar van publicatie
- 2004
- Formaat
- Hardcover
- Aantal pagina's
- 176
- ISBN10
- 3775713867
- ISBN13
- 9783775713863
- Reeks
- Tags
- Non-fictie, Kunst / Cultuur, Geschiedenis, Beeldende Kunst, Kunst, Verenigde Staten, Tentoonstellingscatalogi, Geschiedenis en theorie van de kunst, Kunstgeschiedenis, Musea, West-Europa, Madrid
- Beoordeling
- 4,5 van 5
- Aantekening
- Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.