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The novella <i>Death in Venice</i> was written by the German author Thomas Mann, and was first published in 1912 as <i>Der Tod in Venedig</i>. The plot of the work presents a great writer suffering writer's block who visits Venice and is liberated and uplifted, then increasingly obsessed, by the sight of a stunningly beautiful youth. Though he never speaks to the boy, much less touches him, the writer finds himself drawn deep into ruinous inward passion; meanwhile Venice, and finally the writer himself, succumb to a cholera plague. The novella is powerfully intertextual, with the chief sources being first the connection of erotic love to philosophical wisdom traced in Plato's <i>Symposium</i> and <i>Phaedrus</i>, and second the Nietzschean contrast between the god of restraint and shaping form, Apollo, and the god of excess and passion, Dionysus.
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Death in Venice, Thomas Mann, H. T. Lowe Porter
- Taal
- Jaar van publicatie
- 1990
- product-detail.submit-box.info.binding
- (Paperback),
- Staat van het boek
- Goed
- Prijs
- € 6,99
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- Titel
- Death in Venice
- Taal
- Engels
- Auteurs
- Thomas Mann, H. T. Lowe Porter
- Uitgever
- Penguin Books
- Jaar van publicatie
- 1990
- Formaat
- Paperback
- Aantal pagina's
- 80
- ISBN10
- 014018354X
- ISBN13
- 9780140183542
- Reeks
- Tags
- Fictie, Historisch thema, Duitse literatuur, Klassiekers, Korte Verhalen, 20e Eeuw, LGBTQ+, Cultuur en Samenleving, Novelles, Nobelprijs, Modernisme
- Aantekening
- The novella <i>Death in Venice</i> was written by the German author Thomas Mann, and was first published in 1912 as <i>Der Tod in Venedig</i>. The plot of the work presents a great writer suffering writer's block who visits Venice and is liberated and uplifted, then increasingly obsessed, by the sight of a stunningly beautiful youth. Though he never speaks to the boy, much less touches him, the writer finds himself drawn deep into ruinous inward passion; meanwhile Venice, and finally the writer himself, succumb to a cholera plague. The novella is powerfully intertextual, with the chief sources being first the connection of erotic love to philosophical wisdom traced in Plato's <i>Symposium</i> and <i>Phaedrus</i>, and second the Nietzschean contrast between the god of restraint and shaping form, Apollo, and the god of excess and passion, Dionysus.